Resurrection
This Easter, I found myself ascending out of the artist Andy Goldsworthy’s installation “The Oak Room” and stepping into the light.
Five years ago, I went down into that same space believing my life was over. I would have never guessed I’d come full circle and find myself resurrected here all of these years later on Easter Day.
I’ve always thought that art is a form of healing. Some art touches us so deeply it changes us on a cellular level and we are never the same after seeing it.
I will never forget the first time I read Man’s Search for Meaning. It shifted me into the humanitarian I would become. I remember seeing Notre-Dame Cathedral for the first time and being overwhelmed with the beauty of spirit. And I remember seeing my first The Two Fridas. It ignited in me a desire to understand my own duality and heartbreak.
But there was one piece that would create such a powerful shift in me spiritually and psychologically that it nursed me through my Pause.
In the summer of 2021, I stumbled upon The Oak Room in the South of France. Tucked away in a magnificent vineyard, it is a womb-like underground wooden structure made from oak branches and trunks.
You descend into the earth—into a dark, cold space.
There is a sliver of light where, if you stand, you are lit up gold.
When I descended the stairs for the first time, I was so lost.
I had hit midlife and was questioning everything. My hormones were shifting. I felt like my career was over—that I had somehow aged out. Looking at the magnificent installations on the land, I felt my legacy would never be important. That I would die without being known or seen or doing something extraordinary.
There is a photo of me ascending that day. Even then, I was thinking that one day I would get out of the darkness I was living in. I just couldn’t figure out who I wanted to be in the second half of life.
Over the next four years, I came out of it. But for me, it took a conscious crossover to midlife. I had to go underground—to my shadow, to the grief, to the questions I didn’t want to ask.
So when I returned this Easter and climbed those same stairs, something had shifted.
Nothing about the structure had changed.
But I had.
What once felt like a grave now felt like a passage.
I didn’t escape midlife.
I moved through it.
And on the other side, I wasn’t fixed—
I was truer.
Resurrection isn’t so much about dying, but being reborn.
I was reborn into a woman who still believes in the power of beauty and love, but in a more grounded way.
I saw my shadow and the shadow of others. My naivety died when people I loved hurt me deeply.
But I decided to come out the other side not bitter, but being reborn to the love I have for myself and the world.
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So beautiful, Maria! Also… I hope you know that your legacy is way bigger than acting. It is in the way you touch people so deeply and authentically, with both immense strength and vulnerability, whether through characters you portray on screen, or with your own words that almost always lead to deep introspection and self-understanding. I will not forget the passage in your book about transition, and how you used the story of your son’s birth as an example (though the part, if I remember correctly, about threatening to strangle the midwife with the sheets if she didn’t stop being so mean to you, made me chuckle!). This is why I’m so happy that you have a Substack!
I just wish we did not have to hear this via AI. Not the same as hearing the person who wrote the story.